Category: My work


  • “Like doves” in Edmonton

    My piano trio Like doves with grey wings embracing, which was originally written for the Gryphon Trio, will be presented at New Music Edmonton’s Now Hear This festival. The piece will be performed by members of the Violet Collective at the Holy Trinity Anglican Church (10037 84 Ave) on Sunday, March 20 at 2 pm. I’m happy to be sharing…

  • Weeping for a dead love

    Back in May I premiered Weeping for a dead love with So Percussion Quartet as part of the Princeton Sound Kitchen. This performance was my debut as a folk singer of sorts and I’m very grateful to the guys from So for participating in this experiment. This work draws on the now rare rural Ukrainian tradition…

  • The Gryphons in Ukraine

    I am super excited that the Gryphon Trio will be taking Like doves with grey wings embracing to Ukraine in a few weeks. This amazing ensemble will perform in Kyiv on September 28 (6:00 pm) as part of the Kyiv Music Fest. Please watch the festival’s Facebook page for locations. On October 4 (11 pm), they are…

  • Confronting darkness at Avaloch

    I recently spent a lovely ten days at Avaloch Farm Music Institute in Hew Hampshire. I was invited there by the Brooklyn-based violin/piano duo aTonalHits to collaborate on a new project. Katha, Illya and I only met once when they did a concert in Vancouver back in 2014. Some post-concert beers and chance Facebook conversations…

  • Wild Dogs Project

    I am super pleased to finally announce that for the past year I have been involved in the development of a brand new chamber opera based on Helen Humphrey‘s novel Wild Dogs. The project is being produced in Vancouver by Robert Carey and his black bachx opera lab. The opera is set in a small Ontario town…

  • Mirror developing

    Mirror developing

    Work is progressing on what is turning out to be quite a monster score for the mini opera Mirror, mirror. I have finished carving the first two and a half sheets of linoleum and did some test prints. Here’s me painting on various red accents with watercolour. Stay tuned for photos of the complete score…

  • Laces and stays

    Last year, I transformed my part-time work as heritage wood-restorer into Through closed doors, a piece for two violins notated on an antique door. Now I’m working on a new illustrated and hand-printed score, which combines my love of lace, luxurious yarns, fancy paper and dark fairy tales. The project is a reworking of my mini-opera…

  • Interview on SoundLab

    Paul Steenhuissen recently interviewed me for his podcast series SoundLab. The interview was commissioned by Toronto’s New Music Concerts in preparation for the Ukrainian-Canadian Connection concert happening on April 4th, which will feature the premiere of my piece Weeping. Paul asked some very probing and difficult questions, which forced me to define my compositional practice and…

  • Premiere at La Chapelle tomorrow!

    Today I had the privilege of hearing Katelyn Clark rehearse my new piece for harpsichord …the obsessive circularity of thought… on the lovely harpsichord at La Chapelle in Montreal. The instrument is an original from 1772 and sags a little at the corner, but sounds absolutely gorgeous! We’ve had to make some adjustments to the piece because…

  • “Through closed doors” video

    At the end of September, Thin Edge New Music Collective performed Through closed doors at the Array Space in Toronto. Ilana Waniuk and Suhashini Arulanandam did a fantastic job. Here’s the video I put together using footage by A.J. Gray and audio recordings by John. S. Gray, as well as some great photos by Terry Lim.