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Carnegie Hall Workshop: Post-mortem
The child, bringer of light received its première at Carnegie’s Zankel Hall on Monday night. The hall was reasonably full, the audience quite varied. We were even graced with the presence of a group of nuns in dark blue and brown habit. I know music is a big part of religious culture, but it was…
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Carnegie Hall Workshop: D-day
I’m sitting in Zankel Hall watching the dress rehearsals for tonight’s big show. I am nervously excited. The countless small surgeries were successful and The Child is now standing confidently on its feet. Paul Dwyer sounds truly amazing. I can’t say that enough. He has really made my piece his own, in his particular quiet…
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Carnegie Hall Workshop: Day 6
Over the last few days we have been talking a great deal with Kaija about building your own hierarchy of musical parameters and prioritizing. What is the most important idea to express in this piece? Which parameters can enhance it? Which will muffle it or destroy it? Where must you hold your ground when it…
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Carnegie Hall Workshop: Day 1
Last night, after a few hours wandering around mid-town New York and getting attacked by a Starbucks tea, which left a nasty red burn on my left hand, I got to hear a full concert of Kaija Saariaho’s music for voice and electronics. The program spanned 20 years of her output, and featured a fantastic…
